Nordisk Film & TV Fond wants to offer new doors to the Nordic region's inspiring co-production landscape. Apart from being a top financier of feature films, drama series and documentaries, we work to strengthen audiovisual collaboration within the Nordic regionand beyond. The aim of this online guide is to help producers from all corners of the world find valuable financial information and good inspiration to collaborate with our forward-looking Nordic industry. The guide is constantly updated.
The Danish Film Institute (DFI)'s international department advises Danish producers on international feature film funding possibilities, and is the contact for international producers seeking information on the Danish feature film production landscape and financing possibilities.
DFI's documentary department advises Danish producers on international documentary funding possibilities, and is the contact for international producers seeking information on the Danish documentary film production landscape and financing possibilities.
For more information: CLICK HERE.
Feature Films
The purpose of funding co-productions is to strengthen partnerships and creative exchange between Danish and international producers. The Danish Film Institute highly values the opportunities afforded from co-productions – international financing, cultural and business exchange and distribution – and therefore encourages such partnerships.
Subsidy application requirements
The Danish Film Institute funds some 5-9 minor co-productions per year. The annual budget is approximately DKK 12 million.
Applications will be evaluated based on the following criteria:
Applications are submitted to the International department and assessed by a selection committee.
Applications will be processed within five weeks from the submission deadline.
Deadlines 2025
February 4 at 12.00 CEt
April 29 at 12.00 CEt
Fall T.B.C.
Documentaries and shorts
The Danish Film Institute can fund 5–7 minor documentary or short fiction co-productions per year with a total annual budget of EUR 335 750 (DKK 2.5 million).
Application requirements
Selection process
Applications must be addressed directly to one of the three film commissioners. Together with the producers from the Danish Film Institute and the Head of Documentaries, they will evaluate the application. The project evaluation is based on the following aspects: artistic qualities, the creative and financial collaboration between the Danish and international producer, including previous collaborations and future plans, the Danish share of the creative and technical collaboration, and the distribution potential.
Applications will be processed within a month from submission deadline. In case a project doesn’t gain co-production support, it is possible to reapply only if the Danish Film Institute assesses that the project has undergone substantial changes.
Deadlines 2025
March 4 at 12.00 CET
August 12 at 12.00 CET
October 21 at 12.00 CET
The West Danish Film Fund, established in 2002, has its secretariat located in the city of Aarhus, the second largest city in Denmark. The Fund represents 10 municipalities in Western Denmark and invests around EUR 4 million a year in film and media productions. The Fund supports and invests in co-productions that have Danish artistic or technical participation with a connection to the region. Support is given to artistically interesting productions which strengthens the film industry in the region. Financial support is provided in the form of subsidies and/or investment. You need a Danish co-producer in order to apply.
For more information: CLICK HERE.
FilmFyn can support minor co-productions, with the aim of promoting the development of Funen production companies through cooperation with foreign producers. Expected supported projects: 3-5 films, primarily through Funen production companies.
For more information: CLICK HERE.
INTERNATIONAL TITLE | MAIN DIRECTOR | DANISH CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
Mother | Teona Mitevska | Frau Film | Sisters and Brother Matevski Production | North Macedonia |
All Before You | Annemarie Jacir | Snowglobe | Philistine Films | Palestine |
Milk Teeth | Mihai Mincan | Ström Pictures | De Film Production | Romania |
The Love That remains | Hlynur Pálmason | Snowglobe | Still Vivid | Iceland |
Low Expectations | Eivind Landsvik | Snowglobe | Maipo Film | Norway |
The Entertainment System is Down | Robert Östlund | Paloma Productions | Plattform Productions | Sweden |
Me, Dante and the Dump | Linda Hambäck | Nørlum P1 | LEE Film | Sweden |
Growth of the Soil | Hans Petter Moland | Scanbox Entertainment Productions | 4 ½ Film | Norway |
The Great Arch | Stéphane Demoustier | Zentropa Entertainment | Ex Nihilo Agat | France |
INTERNATIONAL TITLE | MAIN DIRECTOR(S) | DANISH CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
Tartupaluk | Laakkuluk Willaamson Bathory | Ànorak Film Denmark | Scintilla | Canada |
Bugboy | Lucas Paleocrassas | Toolbox Film | Anemon Productions | Greece |
Eye for an Eye | Yanaz Eshaghian | Elk Film | Unchained Productions | United States |
Far from Maine | Roy Cohen | Dune Productions | Temps Noir | France |
Days of Wonder | Karin Pennanen | Good Company Pictures | Avanton Productions | Finland |
Some Walk in Broken Shoes | Magnus Gertten | Hansen & Pedersen | Autoimages | Sweden |
Confessions of a Swedish Man | Hampus Linder | Tamboo Film | Nordic Factory | Sweden |
Stripped | Emmanuel Sidney, Nils Toftenow | Holy Ravioli | Tally-ho Creatives | Sweden |
The Standard Man | Erik Lavesson | Sonntag Pictures | Mantaray Film | Sweden |
Nordic Animation is a network consisting of the leading animation studios and producers in Denmark, Sweden, Finland, Iceland, and Norway. The goal of Nordic Animation is both to strengthen the ties between animation professionals in the Nordic countries and to promote Nordic Animation as a quality brand to the rest of the world.
For information on co-productions, festivals and educations: CLICK HERE.
The Finnish Film Foundation (FFF/SES) supports and promotes the Finnish film industry. It was founded in 1969, and it receives its funds from the Ministry of Education and Culture for the promotion of film art. Finnish Film Foundation is the main financer of film production in Finland. In 2024, the Foundation handed out EUR 23,5 million in support for the production, distribution and exhibition of films.
Production support is given to an average of 60 films per year. Support is available for feature, animated, short and documentary films.
International co-productions
International co-productions are also eligible for production support from the Finnish Film Foundation when a Finnish co-producer is involved. The Foundation funds around 8 to 10 minority co-productions every year with a support budget of around EUR 1 million.
Eligibility for co-production support is determined with the following criteria:
The support application is made by the Finnish co-producer. The amount of production support for minority co-productions has ranged from EUR 15,000 to EUR 300,000 in recent years, depending on the Finnish creative or technical input. There are no spend requirements for the support, nor is the support recoupable.
For more information and application timetables: CLICK HERE.
Finland offers a combination of incentives up to 40%.
Business Finland offers a production incentive for feature films, television series, documentary films and animations produced at least partly in Finland. The national incentive is a 25% cash rebate for costs incurred from the production of an audiovisual work, including pre- and post-production, in Finland. The Finnish incentive is known for the supreme customer care. The call is continuous, and the average pay time is ten days.
The rebate is available for both Finnish and foreign production companies. No registration is required from the foreign company. Finnish service companies with local business ID will take care of the application process.
Feature Film | Documentary | TV drama / Animation | |
Minimum spend in | 350.000 | 500.000 | 500.000 |
Minimum total budget of the | 2.500.000 | 650.000 | 11.500/min |
Eligible costs include the purchases of goods and services, and the rental of equipment and facilities as well as the salaries paid to employees who are liable to pay income tax in Finland. Other eligible costs may include travel expenses to, from and in Finland, the producer's fee and overheads.
The budget for 2025 is EUR 10 million.
For more information: CLICK HERE.
Regional Film Commissions offer additional regional incentive up to 15%.
Film in Finland is a marketing brand combining eg. audiovisual industry, services, funding, locations and Finnish companies at one customer service point.
For more information: CLICK HERE.
East Finland Commission
For information: CLICK HERE.
Finnish Lapland Film Commission
Fore information: CLICK HERE.
North Finland Film Commission
For information: CLICK HERE.
West Finland Film Commission
For information: CLICK HERE.
Film Tampere
For information: CLICK HERE.
South East Finland Film Commision
For information: CLICK HERE.
If you choose to shoot your film – or a part of it - on Åland you can apply for financial support for the project from the Government of Åland and a 25% cash rebate from Business Finland.
To Åland Film Commission: CLICK HERE.
INTERNATIONAL TITLE | MAIN DIRECTOR | FINNISH CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
Rosa & Dara - Their Great Summer Adventure | Martin Duda | TACK Films | Bionaut | Czechia |
The Seal Mother | Agnieszka Trzos | Greenlit Productions | Mamma Pictures | Poland |
The Eternity Man | Ivan Nikolaichuk | MRP Matila Röhr Productions | Constant Production | Ukraine |
On Land and Sea | Hlynur Pálmason | Aamu Film Company | Snowglobe | Denmark |
INTERNATIONAL TITLE | MAIN DIRECTOR(S) | FINNISH CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
Redlight to Limelight | Bipuljit Basu | JW Documentaries | Touch Narrative | India |
Cyclovia | Finlay Pretsell | Making Movies | Parcel of Rogues | United Kingdom |
In Cod We Trust | Guro Saniola Bjerk | Wacky Tie Films | F(X) Produksjoner | Norway |
Our Love | Hannah Reinikainen, Lia Hietala | Napafilms | Story AB | Sweden |
The Smuggler | Sylvelin Måkestad | Mouka Filmi | Ballad Film | Sweden |
Nordic Animation is a network consisting of the leading animation studios and producers in Denmark, Sweden, Finland, Iceland, and Norway. The goal of Nordic Animation is both to strengthen the ties between animation professionals in the Nordic countries and to promote Nordic Animation as a quality brand to the rest of the world.
For information on co-productions, festivals and educations: CLICK HERE.
The Icelandic Film Centre (IFC) is a public institution that provides funding for Icelandic films, promotes them abroad and nurtures film culture in Iceland by supporting festivals, seminars, workshops and other networking opportunities for film professionals.
The Icelandic Film Fund is administered by the Icelandic Film Centre. The fund's role is to further Icelandic filmmaking by providing financial support to features, documentaries, shorts and fictional TV series.
Projects supported by the Icelandic Film Fund must have clearly defined connections with Icelandic culture unless special circumstances apply.
Production Support
The Icelandic Film Centre will distribute approximately EUR 6 million in available grants in 2025, which will be divided between narrative features and short films, documentaries, and TV fiction.
The Icelandic Film Fund usually grants production support to 3-4 narrative features each year, as well as approximately 5-7 documentaries, 3-4 short films, and 3-5 TV series.
Minority Co-Production Funding
Support is also available for international co-productions with an Icelandic minority producer. Applications can be submitted at any time during the year and take approximately 8-10 weeks to process.
Please note that only companies registered in Iceland can receive funding.
Evaluation criteria
When evaluating applications, the following points are especially considered:
For more information: CLICK HERE.
INTERNATIONAL TITLE | MAIN DIRECTOR | ICELANDIC CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORGIN |
The Curse | Amanda Kernell | Compass Films | Nordisk FIlm | Sweden |
The Home | Mattias J. Skoglund | Compass Films | (sic) Film | Sweden |
INTERNATIONAL TITLE | MAIN DIRECTOR(S) | ICELANDIC CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORGIN |
Bogancloch | Ben Rivers | Akkeri Films | Hopscotch Films/Urth Productions | Scotland |
Holy Human Angel | Angeliki Aristomenopoulou | Compass Films | Anemon/Asterisk | Greece |
La pieta | Rafa Molés Vilar, Pepe Andre | Axfilms | Suica Film | Spain |
Fatherhood | Even Ge Benestad, August B. Hanssen | Krumma films | Indie Film | Norway |
Reimbursements are offered for film and TV production costs incurred in Iceland. Producers can apply for reimbursements from the State Treasury of 25% of the costs incurred in the production of films and television programs in Iceland, or 35% for production projects that meet given conditions.
Projects must fulfil certain cultural and production criteria in order to receive a letter of intent for reimbursement. Once the production is completed, a final assessment of the project is made to confirm that it is still eligible for reimbursement.
Applications must be submitted to the Icelandic Film Centre before production begins in Iceland, and they can be submitted at any time of the year.
For more information: CLICK HERE.
TITLE | DIRECTOR(S) | ICELANDIC PRODUCTION PARTNER | COUNTRY OF ORIGIN |
A Murder at the End of the World | Zal Batmanglij, Brit Marling | Truenorth | USA |
Dungeons & Dragons: Honour Among Thieves | John Francis Daley, Jonathan Goldstein | Truenorth | USA |
Heart of Stone | Tom Harper | Truenorth | USA |
Luther: The Fallen Sun | Jamie Payne | RVK Studios | USA |
One Million Minutes | Christopher Doll | Sagafilm | Germany |
True Detective Night Country | Issa López | Truenorth | USA |
Nordic Animation is a network consisting of the leading animation studios and producers in Denmark, Sweden, Finland, Iceland, and Norway. The goal of Nordic Animation is both to strengthen the ties between animation professionals in the Nordic countries and to promote Nordic Animation as a quality brand to the rest of the world.
For information on co-productions, festivals and educations: CLICK HERE.
The Norwegian Film Institute (NFI) operates under the authority of the Norwegian Ministry of Culture. The Institute is the Norwegian government’s administrative body and its advisor on policy issues for films and video games. The 2025 budget is NOK 900 million, of which NOK 689 million is earmarked for audiovisual development, production and distribution. The Institute also offers personal grants, training and talent development for the film and video game industry.
The NFI funds minority co-production of feature films, documentaries, drama series, short films and video games. The NFI also operates the Norwegian Film Production Incentive and the Norwegian South Film Fund, Sørfond. In addition, regional film funds support co-productions for fiction and documentary feature films and drama series, and the regional film centres support co-production for documentaries and for shorter formats.
The NFI represents and promotes Norwegian feature films, shorts, documentaries, video games and drama series at festivals and markets nationally and abroad. The NFI also provides statistics and facts about the Norwegian film and video games sector.
Norway is part of the European Convention on Cinematographic Co-Production and has a bilateral co-production Treaty with Canada. The NFI represents Norway in the Council of Europe’s fund for co-production of films, Eurimages and the European Audiovisual Observatory. The NFI is also a partner in the Nordic Film and TV Fund and The European Solidarity Fund for Ukrainian Films (ESFUF) and part of the Pilot Programme for Series Co-productions.
The NFI participates in international cooperative efforts such as Scandinavian Films, European Film Promotion, The European Film Academy and Norwegian Arts Abroad. The NFI is also the contact point for the Creative Europe MEDIA programme in Norway.
To the updated information on NFI's funding schemes and other national and transnational funding possibilities in Norway: CLICK HERE.
Feature Films
Funding is available for fiction feature film productions for cinema with a Norwegian minority co-producer. The annual budget for 2025 is NOK 12 million. It is possible to apply for up to 75 % of the Norwegian budget.
Co-productions with a Norwegian minority producer are eligible to apply for marketing support in Norway. The number of productions funded is 5-7 per year. All funding is non-recoupable.
How to apply
Applications for funding must be submitted by the Norwegian minority producer. The project must be acknowledged as a cultural product in the country of the delegate producer. An agreement from a distributor in Norway is required. The grant will be determined based on Norwegian spending and the share of the norwegian investment. To qualify for support, applicants must obtain a minimum of 10 points in the co-production evaluation form found on nfi.no.
Priority will be given to productions with national public support, strong artistic potential and/or recognized potential in the Norwegian market.
Deadlines 2025
February 27 at 12.00 CET
October 16 at 12.00 CET
Documentaries
Funding is available for documentary productions for cinema or tv release with a Norwegian minority co-producer. Applications are evaluated by one of the documentary film consultants and there is no specific annual budget, the number of productions funded over the last years is 8-10 per year. It is possible to apply for up to 90% of the Norwegian budget. All funding is non-recoupable.
How to apply
Applications for funding must be submitted by the Norwegian minority producer. The project must be acknowledged as a cultural product in the country of the delegate producer. An agreement from a distributor confirming the intention of a release in Norway is not required. The grant will be determined based on Norwegian spending and the norwegian investment. Priority will be given to productions with strong artistic potential and/or a potential for the Norwegian producer to achieve experience or network that will be an advantage for later productions from the company.
Deadlines 2025
Applications have no specific deadlines and will be evaluated on a rolling basis.
Drama series
Funding is available for production of drama series with a Norwegian minority producer. Applications are evaluated by the NFI drama series consultant and there is no specific annual budget. It is possible to apply for up to 50% of the Norwegian budget. All funding is non-recoupable.
How to apply
Applications for funding must be submitted by the Norwegian minority producer. The project must be acknowledged as a cultural product in the country of the delegate producer. An agreement from a distributor confirming the intention of a release in Norway is required. The grant will be determined based on Norwegian spending and the norwegian investment.
Deadlines 2025
Applications for co-production follow the same deadlines as applications for production of drama series.
February 4 at 12.00 CET.
August 13 at 12.00 CET.
Short films
Applications for funding must be submitted by the Norwegian minority producer. The project must be acknowledged as a cultural product in the country of the delegate producer. A deal memo between the producers is required to apply. The grant will be determined based on Norwegian spending and the norwegian investment.
How to apply
Applications for funding must be submitted by the Norwegian minority producer. The project must be acknowledged as a cultural product in the country of the delegate producer. An agreement from a distributor confirming the intention of a release in Norway is required. The grant will be determined based on Norwegian spending and the norwegian investment.
Deadline 2025
Applications have no specific deadlines and will be evaluated on a rolling basis.
Download the Norwegian co-production catalog for more information and video game funding: CLICK HERE.
The film production incentive grants up to 25% return on costs spent in Norway to international films and series produced entirely or partly in Norway.
The purpose of the incentive is to increase the number of international films and series produced in Norway to promote Norwegian culture, history and nature. The incentive is also designed to improve the experience and skills of the Norwegian and Sami film industry, stimulate growth, promote a sustainable Norwegian and Sami film industry, and support international cooperation.
To qualify for the scheme, the minimum production budget is:
The minimum requirement for eligible costs spent in Norway is NOK 4 million. A minimum of 30% of the financing must come from international sources and an international distribution agreement must be documented. The production must achieve the minimum required score in the qualification test.
The funding from The Incentive Scheme cannot be combined with production or co-production grants from The Norwegian Film Institute but can be combined with development funding and marketing grants from The Norwegian Film Institute and funding from regional funds.
To read more: CLICK HERE.
Deadline 2025
November 25 at 12.00 CET.
The Norwegian South Film Fund (Sørfond) grants top financing for co-production of fiction and documentary films where the main producer is located in a DAC-country. The total annual budget is NOK 5 425 000, approximately. The fund has one annual application round, funding up to 10 productions per year.
The main goal of Sørfond is to strengthen the freedom of speech and human rights in DAC countries where these rights are limited for political, social, or economic reasons. To obtain this goal Sørfond seeks to strengthen film as a cultural expression, and to promote artistic freedom and cultural diversity granting production support to independent film producers from DAC countries. This includes support to productions and producers that will contribute to promoting women’s rights and gender equality. Sørfond also seeks to forge a close cooperation between Norwegian filmmakers and filmmakers in the DAC countries.
Sørfond is funded by the Norwegian Ministry of Foreign Affairs and is administered by The Norwegian Film Institute in cooperation with the Oslo Festival Agency.
To read more: CLICK HERE.
How to apply
Applications for funding must be submitted by the Norwegian minority producer. The production must qualify according to the criteria listed in The Guidelines for film production grants from Sørfond 2023-2025.
The fund supports fiction films and documentaries of minimum 50 minutes length, produced for theatrical release or other audio-visual media platforms. The maximum support for a single production is NOK 1 million.
The film must be principally shot in a country on the DAC list, and at least 70 % of the grant must be spent in a country on the DAC list. 50% of the financing must already be confirmed upon submission of an application. There are no spend requirements in Norway. All funding is non-recoupable.
Deadline 2025
March 11 at 12.00 CET.
Mediefondet Zefyr has cooperation agreements with regional authorities in the South and Western Norway. The fund can invest in and support all kinds of audiovisual productions.
For more information: CLICK HERE.
Filminvest is a regional fund that supports and invests in the development and production of feature films, drama series and games. The projects must be associated with the region in the mid- and south east part of Norway. Foreign producers must have a co-production agreement with a Norwegian producer to be eligible for support.
For more information: CLICK HERE.
Filmfond Nord was established in 2012 and is based in Bodø. It provides top-up financing for feature films and TV dramas that help develop the film industry of the region.
For more information: CLICK HERE.
Oslo Film Fund, established in 2021, is based in Oslo. The fund can invest in and support all kinds of audiovisual productions in the Oslo region and has a focus on diversity and sustainability.
For more information: CLICK HERE.
Film Commission Norway aims at encouraging and aiding international film productions in Norway and acts as a link between the national and international film and television industry.
For information on Norwegian Film Commission: CLICK HERE.
The national commission is collaborating with the regional film commissions:
Western Norway Film Commission
For information: CLICK HERE.
Midgard Film Commission
For information: CLICK HERE.
Oslo Film Commission
For information: CLICK HERE.
Northern Norway Film Commission
For information: CLICK HERE.
Eastern Norway Film Commission
For information: CLICK HERE.
TITLE | MAIN DIRECTOR | NORWEGIAN CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
The End of It | Maria Martínez Bayona | Eye Eye pictures | Fasten Films | Spain |
Me, Dante and the Dump | Linda Hambäck | Mikrofilm AS | LEE Film | Sweden |
The Entertainment system is down | Ruben Östlund | Eye Eye pictures | Plattform Produktion | Sweden |
The Forest of Knowledge | Oskar Östergren | Kystallplaneten AS | Bautafilm | Sweden |
The Dance Club | Lisa Langseth | Storm Films | Metafilm | Sweden |
TITLE | MAIN DIRECTOR | NORWEGIAN CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
The Dating Game | Violet Du Feng | Ten Thousand Images | Fish + Bear Pictures | United States, China |
Past Future Continuous | Firouzeh Khosrovani | Antipode Films AS | FiFi Films | Iran |
Take the Money and Run | Ole Juncker | Von Mørner | Plus Pictures | Denmark |
Like Father Like Son | Jukka Kärkkäinen | Indie Film | Mouka Filmi | Finland |
Stripped | Nils Toftenow | A5 Film | Tally-Ho | Sweden |
Nordic Animation is a network consisting of the leading animation studios and producers in Denmark, Sweden, Finland, Iceland, and Norway. The goal of Nordic Animation is both to strengthen the ties between animation professionals in the Nordic countries and to promote Nordic Animation as a quality brand to the rest of the world.
For information on co-productions, festivals and educations: CLICK HERE.
The Swedish Film Institute (SFI) works to promote film across the board – from idea to finished product, during launch in Sweden and around the world, and by preserving films for posterity in our archives.
Feature Films
The aim of funding co-productions is to strengthen working relationships between Swedish production companies and foreign producers. It should also inspire and facilitate competence development, improve opportunities to secure international financing and help films to cross borders.
Who can apply?
Primary evaluation criteria
The contribution of the SFI can be a maximum of 80% of the Swedish financing. The Swedish financing must be in proportion to the Swedish spend.
The application should include:
Deadlines 2025
February 25 at 23.59 CEST
May 13 at 23.59 CEST
October 28 at 23.59 CEST
Evaluation Process
The application is processed by a council comprised of a Film Commissioner, a Production Controller and the Head of Production Funding or Film Funding. The Swedish Film Institute’s CEO makes the final decision on funding following the recommendation of the council.
International co-productions relating to documentary film and short film are dealt with by the relevant Film Commissioner. Applications for these projects may be submitted at any time throughout the year.
For more information: CLICK HERE.
Film i Skåne, based in Ystad, southern Sweden, is a regional film resource and production centre with the task of promoting all aspects of film. Film i Skåne has to meet regional as well as national requirements on the scope and quality of its work, as well as its geographical distribution throughout the county. Projects aimed at children and young people are a priority for regional as well as national funding. Film i Skåne acts as a co-producer in feature film projects. Its ambition is to make movies that can reach a large audience at cinemas and have the chance of winning awards at film festivals. Movies with a strong connection to Skåne are prioritized – the film’s producers, creative talents and companies or the setting of the film.
For more information: CLICK HERE.
Filmpool Nord, based in Luleå, northern Sweden, is a regional production centre for film and television. In addition, Filmpool Nord is also a resource centre for film, which means that they work actively with programmes for children and young people in the region. International co-productions: Projects with an affiliated Swedish coproducer and production company may apply.
For more information: CLICK HERE.
Film Stockholm is the regional film fund of Stockholm. The fund co-produces and invests in short films, documentaries, feature films and tv-drama. Production is required to take place (partly or mainly) in the region. In addition to the film fund, Film Stockholm offers the regional film industry training and talent development. It also has a film commission.
For more information: CLICK HERE.
Film i Väst, based in Trollhättan, southwestern Sweden, seeks projects that can compete at the most prestigious film festivals and/or be seen by a large international audience. The fund accepts applications for feature film co-productions throughout the year. Film i Väst offers both shooting and post-production financing and have a 100% spending requirement in the region.
For more information: CLICK HERE.
Other film funds:
Norrköping Filmfond
For information: CLICK HERE.
Three branches cover the country and they are organized through the film funds. The commissions provide localized support and assistance for international and Swedish film producers interested in shooting in the different regions of Sweden.
Southern Sweden Film Commission
For information: CLICK HERE.
Film Stockholm
For information: CLICK HERE.
Film i Väst
For information: CLICK HERE.
Other film commissions:
Film på Gotland
For information: CLICK HERE.
Sweden has chosen to introduce a production discount for audiovisual works, a discount on production costs of 25 percent. This means that a company whose main activity is the production of audiovisual works can apply for aid for part of the cost of a production and then be reimbursed after the costs have been incurred. The support is permanent support from 2022 and includes a total of SEK 100 million per year.
For more information: CLICK HERE
INTERNATIONAL TITLE | MAIN DIRECTOR | SWEDISH CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
A Poet | Simón Mesa Soto | Momento Film | Ocúltimo | Colombia |
The Visitor | Vytautas Katkus | Garagefilm International | M-Films | Lithuania |
Dayao Swims Against the Flow | Zhang Tao | Fasad Production | House on Fire | France |
Brave New Love | Maria Bäck | Garagefilm International | Snowglobe | Denmark |
The Love That Remains | Hlynur Pálmason | Hob AB | Still Vivid | Iceland |
The Ugly Stepsister | Emilie Blichfeldt | Zentropa Sweden | Mer Film | Norway |
Mother | Teona Mitevska | Rainy Days Productions | Sisters & Brother Mitevska | North Macedonia |
Sentimental Value | Joachim Trier | Zentropa Sweden | Mer Film, Eye Eye Pictures | Norway |
A Prayer for the Dying | Dara Van Dusen | Garagefilm International | Eye Eye Picture | Norway |
Forastera | Lucia Aleñar Iglesias | Fox in the snow films | Lastor Media, Vilaüt Films | Spain |
INTERNATIONAL TITLE | MAIN DIRECTOR(S) | SWEDISH CO-PRODUCER | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|---|
Four Brothers | Pieter Jan De Pue | Dark Riviera | Savage Film | Belgium |
Child of Dust | Weronika Mliczewska | Ginestra Film AB | Ya Man Studios | Poland |
Displaced | Olha Zhurba | We Have a Plan | Moon Man | Ukraine |
I Belong to Nowhere | Kaspar Astrup Schröder | Momento Film | Good Company Pictures | Denmark |
The Arctic Circle of Lust | Markku Heikkinen | Vilda Bomben Film | Zone 2 Pictures | Finland |
Lapp versus Same | Ellen Astri Lundby | Saltfilm Sweden | Ten Thousand Images | Norway |
Born to Fight | Ala’A Mohsen | The Uneven | Tambo Film | Denmark |
Architecture as Invention | Michael Madsen | Auto Images | Paloma Productions | Denmark |
In My Hand | Liselotte Wajstedt, Márja Helander | Vaja Filmproductions | Paranord Film | Norway |
Possibility of Paradise | Mladen Kovačević | Mdemc Produktion | Horopter Film Production | Serbia |
A bit of a Stranger | Svitlana Lischynska | Vilda Bomben Film | Albatros Communicos | Ukraine |
Your Life Without Me | Anna Rubi | Cinenic Film | Somnus Film | Hungary |
The End of Quiet | Mikael Lypinski, Kasper Bisgaard | Picky Pictures | Sontag Pictures | Denmark |
Nordic Animation is a network consisting of the leading animation studios and producers in Denmark, Sweden, Finland, Iceland, and Norway. The goal of Nordic Animation is both to strengthen the ties between animation professionals in the Nordic countries and to promote Nordic Animation as a quality brand to the rest of the world.
For information on co-productions, festivals and educations: CLICK HERE.
The Faroese Film Institute was established in early 2018 and plays a vital role in the Faroese film industry. The institute is a public institution that offers various training and networking programs while also working to promote the Faroe Islands as an attractive location for film and TV production. It supports the growth of local talent, builds global connections, and works strategically to elevate Faroese cinema on the international stage.
For more information: CLICK HERE.
The Faroese Film Fund is administered by the Culture Film Fund (Mentanargrunnur landsins). Its purpose is to provide financial support for the development and production of Faroese films, with a primary focus on fiction films, documentaries, and art films. Projects receiving support from the fund must have a connection to Faroese culture.
Film, series, and documentary productions taking place in the Faroe Islands may be eligible for a reimbursement of up to 25% of production costs.
For more information, please contact the Faroese Film Institute or: CLICK HERE.
TITLE | DIRECTOR(S) | FAROESE PRODUCTION PARTNER | COUNTRY OF ORIGIN |
How to Train Your Dragon | Dean DeBlois | Toothless | United States |
James Bond: No Time to Die | Cary Joji Fukunaga | Truenorth Faroe Islands | United States / United Kingdom |
Verdandi - Land of Maybe | Dagmar Knöpfel | Kykmyndir | Germany |
No Rest for the Wicked | Kasper Kalle | Kykmyndir | Denmark |
Last Paradise on Earth | Sakaris Stórá | Kykmyndir | Denmark |
Love Acts | Anton Petersen | Kykmyndir | Denmark / Faroese island |
Trom | Peter Ahlén, Kasper Barfoed, Davíd Óskar Ólafsson | Kykmyndir | Denmark / Faroese island |
Missir | Ari Alexander Ergis Magnússon | Truenorth Faroe Islands | Iceland |
The International Sámi Film Institute (ISFI) is building a sustainable & innovative Sámi film industry that is globally visible and attractive.
ISFI is dedicated to providing Sámi people with the skills and economic opportunities in developing, producing, and distributing Sámi films in the Sámi languages.
Production funding
The purpose of ISFI is to preserve and promote the Sami film industry. ISFI seek to achieve this by, among other things, provide grants for film development and production, in all genres, and also platform-neutral formats.
The grant is given to stimulate awareness of Sami film and to strengthen professional knowledge of Sami film both among the population and in the film industry.
The grant is linked to Sami culture and language.
Applicants for the production grant must be a Sami production company.
For more information: CLICK HERE.
Deadlines 2025
February 1 at 23:59 CET
May 1 at 23:59 CET
September 1 at 23:59 CET
December 1 at 23:59 CET
Nordisk Film & TV Fond (NFTVF) is a pan-Nordic fund whose objective is to promote the Nordic audiovisual industry through support schemes and initiatives.
The funding schemes are:
To read more about funding: CLICK HERE.
The budget for 2025 is approximately NOK 147 million, received from 17 parties; the Nordic Council of Ministers, five national film institutes/centres/funds and 11 public service and private broadcasters within the region.
Nordisk Film & TV Fond
Arbins gate 4
0253 Oslo, Norway
+47 64006080 / info@nftvfond.com
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#nordiskfilmogtvfond
FEATURE FILMS | MAIN DIRECTOR | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
---|---|---|---|
Curly Burly | Jan Rahbek | Nepenthe Film | Denmark |
Red Snow | Ilja Rautsi | Bufo | Finland |
Kalevala - The Story of Kullervo | Antti J. Jokinen | ReelMedia | Finland |
The Ugly Stepsister | Emilie Blichfeldt | Mer Film | Norway |
Handbook for Superheroes - Red Mask | Patrik Forsberg | Stiller Studios | Sweden |
DOCUMENTARIES | MAIN DIRECTOR | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
Mr. Nobody Against Putin | David Borenstein | Made in Copenhagen | Denmark |
The Helsinki Effect | Arthur Franck | Polygraf | Finland |
Kyiv Soloist | Trond Kvig Andreasse | Indie Film | Norway |
Confessions of a Swedish Man | Hampus Linder | Nordic Factory Film | Sweden |
DRAMA SERIES | MAIN WRITER(S) | PRODUCTION COMPANY | COUNTRY OF ORIGIN |
The Harvest | Martin Zandvliet | DR Drama Production | Denmark |
Everybody Love Horses | Hugleikur Dagsson, Tarja Kylmä | Kaiho Republic | Finland |
Reykjavík Fusion | Birkir Blær Ingólfsson, Hörður Rúnarsson | Sameinuðu íslensku kvikmyndaveldin | Iceland |
Holmlia Love | Mikael Diseth, Lev David | Monster | Norway |
The Cruise | Malin Lagerlöf, Mats Strandberg | Northern Fable | Sweden |
Creative Europe (2021–2027) is supporting the European audiovisual, cultural and creative sectors with a budget of EUR 2,44 billion. Creative Europe is divided into three strands: MEDIA, covering the audiovisual and film sectors, Culture, covering all other cultural and creative sectors and Cross-sectoral, facilitating collaboration across creative sectors and covering the news media sector.
The MEDIA strand of the Creative Europe programme supports the European film and audiovisual industries to develop, distribute and promote European works, taking into account today’s digital environment. In addition the MEDIA strand::
For questions, assistance related to the programme and help cooperating with organisations in other countries, Creative Europe Desks are in place in every participating country. The national Creative Europe MEDIA Desks consult, inform, and advise the audiovisual sectors and industries about the MEDIA strand and the funding opportunities represented in the specific calls.